![]() ![]() If newly fashioned Digigrid hardware, or 64-bit UAD can operate at latency levels comparable to HDX then they have a place in the conversation for recording sessions. It’s hard to say definitely, but in mix mode I don’t see much required advantage to additional DSP if you’re operating at 44 or 48k. Because HDX is an open format, and again capable at operating at the lowest possible latency it’s the only accelerated DSP system that makes any real sense for Pro Tools users. My recording clients - just like all of yours - won’t stand for latency, so when delay compensation gets turned off I need either TDM, or moving forward HDX. Because AAX DSP signal processing happens in conjunction with AVID’s proprietary hardware and software, it provides a platform for near zero latency performance that, inside of Pro Tools, others can’t. No breaking news here, but unless you’re in a recording session, or operating at upper sample rates a native rig may do the job. With the implantation of 64-bit processing and the advancements in computer hardware, accelerated DSP systems make less sense than ever. I’ve come to rely on these plugins for consistency, and have always operated under the assumption that their user base was so valuable that they would never cease to exist on the current Pro-tools DSP system. UAD plugins also come at a premium, as you’re buying the UAD DSP card. It’s important to note that each bundle with the exception of UAD was purchased at a premium so I could run them on TDM. If you’re anything like me, you rely on bundles from WAVES, Sonnox, McDSP, SoundToys and UAD. Having said that, I’d like to take a moment to talk about the new plugin landscape, and why plugins manufacturers who snub coding for AAX DSP have put their own needs ahead of their users. There is also great information out there, regarding the foundational transformation of the v11 architecture and how this affects plugins, hardware and peripherals alike. Much has been touted about how the v11 installer comes bundled with v10, extending 32-bit plugin support to all of us still beholden to our TDM-era 32-bit plugins. Mic Mod v4.2.Zach is on the hunt for a certain 3rd party.Harmony Engine v4.2.3 – Vocal Modeling Harmony Generator.AVOX WARM v4.2.2 – Tube Saturation Generator.AVOX THROAT v4.2.2 – Physical Modeling Vocal Designer.AVOX SYBIL v4.2.2 – Variable Frequency De-Esser.AVOX PUNCH v4.2.2 – Vocal Impact Enhancer.AVOX MUTATOR v4.2.2 – Extreme Voice Designer.AVOX DUO v4.2.2 – Vocal Modeling Auto-Doubler.AVOX ASPIRE v4.2.2 – Aspiration Noise Processor.AVOX ARTICULATOR v4.2.2 – Digital Talkbox.Auto-Tune Vocodist v1.0.1 – Iconic Vocoder Models.Auto-Tune Slice v1.1.0 – Advanced Vocal Sampler.Auto-Tune Pro v9.1.1 – World Standard Professional Pitch & Time Correction.Auto-Tune Hybrid v9.0.2 – Real-Time Pitch Correction for Avid DSP.Auto-Tune EFX+ v9.0.1 – Vocoder style Vocal Effects.Auto-Tune Artist v9.0.2 – Pitch Correction for Live Performances.Auto-Tune Access v9.0.2 – Essential Auto-Tune Features.Auto-Key v1.0.3 – Automatic Key and Scale Detection.It also features a time correction feature for non-destructive time editing, as well as formant correction, Vibrato controls, and neck length modeling.Īuto-Tune Pro offers the professional pitch correction and classic effects you’re looking for whether you want to quickly tweak a few questionable notes or polish your entire performance. The Auto Mode and Graph Mode interfaces have been redesigned to provide the most efficient, flexible and intuitive workflow for professional users and beginners alike.Īuto-Tune Pro also includes Flex-Tune and Humanize for more transparent and natural tuning, as well as a low latency mode so you can work in real time without distracting delay. We’ve added automatic key detection with the new Auto-Key plug-in (included with Auto-Tune Pro), classic mode for “Auto-Tune 5 sound” and real-time MIDI control. Now with Auto-Tune Pro, it’s more versatile and easier to use than ever before with a completely redesigned interface and powerful new processing, editing and navigation features. It includes both an automatic mode for real-time pitch correction and effects, and a graph mode for detailed pitch and time editing.įor twenty years, Auto-Tune has been the professional standard for pitch correction and the instrument for selecting the most significant vocal effect in popular music. Auto-Tune Pro is the most complete and advanced version of Auto-Tune. ![]()
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